Influences and guitar skills

Abbott once said in a Guitar World interview that if there was no Ace Frehley, there would have been no "Dimebag" Darrell - he even had a tattoo of the "KISS" guitarist on his chest (in an interview asking why he chose to become a guitar player Abbott said that when he was young his father asked him if he wanted a BMX bike or a guitar for his birthday and he chose the BMX but after listening to a Black Sabbath album for the first time he went to his father to try to trade the bike for the guitar).[18] Ace signed the tattoo in pen ink upon meeting him, at Dimebag's request, and then the autograph was painstakingly tattooed over soon after, so as never to be washed off.
In the late 1980s, around the time of Power Metal, Abbott often covered songs by guitarist Joe Satriani, such as "Crushing Day". He also incorporated elements of Satriani songs like "Echo" into his live solos as well. Abbott stated, in various interviews, that his riffs were largely influenced by Tony Iommi of Black Sabbath. Iommi also influenced Dimebag's tunings, which often went down to C# or lower. Pantera covered Black Sabbath songs "Planet Caravan", "Hole In the Sky" and "Electric Funeral."
He also cited thrash giants Anthrax, Metallica and, despite a sometimes vicious feud, Megadeth as primary influences. He was also a great fan of Slayer and a good friend of Kerry King. Dimebag mentioned in an interview with Guitar World that the clean chord passages in the intro to Cemetery Gates were influenced by the clean chordal passages found in much of Ty Tabor's (King's X) playing. As with Billy Gibbons, Abbott frequently made use of pentatonic scales and slide guitar in both his leads and rhythms. Both guitarists employ blues scales, start / stop dynamics and pedal tones, as in Dimebag's southern style riff in "The Great Southern Trendkill", and the main riff to ZZ Top's "Tush". Randy Rhoads' style chord arpeggios can be heard in much of Dimebag's playing as well, noted examples being "Floods", "Shedding Skin", "The Sleep", and "This Love". He also stated that "Eddie Van Halen was heavy rock and roll, but Randy was heavy metal".[18] Eddie Van Halen, whom Abbott had recently befriended, placed his original black with yellow stripes guitar (commonly called "bumblebee") into the Kiss Kasket. Abbott had mentioned to van Halen that he liked that color combination the best of the latter's guitars (this guitar appears on the back sleeve of Van Halen's second album "Van Halen II"), and van Halen was going to paint one that way for him. Abbott also credited Vito Rulez of Chauncy for convincing him to try Bill Lawrence pickups. According to an interview with Dino Cazares then of Fear Factory Abbott told him that during the recording of Reinventing the Steel he compared his guitar tone with Dino's (incidentally during the making of Fear Factory's Demanufacture Cazares compared his guitar tone against that of Vulgar Display of Power). Abbott co-designed a guitar with Dean just months before his death. Called the Razorback, it was a modified version of the ML fret version, different paint jobs including a flamed maple top with natural finish, EMG pickups, and also helped with the design of the V-shaped version, the Razorback V (lacking the neck-pointing front wing).. It is more pointed and has extra barbs on the wings.
Pete Willis of Def Leppard was also seen as another major influence for Darrell. On his Guitar World magazine tribute issue, Abbott was quoted as saying, "Man, that first Leppard album really jams, and their original guitarist, Pete Willis, was a great player. I was inspired by him because I was a small young dude and he was a small young dude, too—and he was out there kickin’ ass. He made me want to get out there and play. Def Leppard used the two-guitar thing much more back then than they do now." [19]
Dean issued a tribute guitar to honor his death, featuring the tribute logo on the neck, a razor inlay on the 12th fret, and hand-painted "rusty-metal"-style graphics. The pickups include a Dimebucker at the Bridge and a DiMarzio Super Distortion at the neck, the tremolo is a Floyd Rose double-locking, and the knobs are the Dimebag Traction knobs. They use all-black hardware, and almost all of them have 22 frets, a Floyd Rose tremolo, Seymour Duncan pickups (including the SH-13 Dimebucker), and set-neck construction.